[12], The original five-piece lineup of the band consisted of McGuinn (lead guitar, vocals), Gene Clark (tambourine, vocals), David Crosby (rhythm guitar, vocals), Chris Hillman (bass guitar, vocals), and Michael Clarke (drums). [18] Unfortunately, it would also represent the last time that the five original members were gathered together. Later that year, following the departure of Michael Clarke (the second Byrd to quit), the band clashed over the choice of material for their new album. [241] The band underwent a further personnel change following a show on February 10, 1973, in Ithaca, New York, when Skip Battin was dismissed by McGuinn, who had capriciously decided that the bassist's playing abilities were no longer of a sufficient standard. "Our . [160], The band also incurred the wrath of renowned country music DJ Ralph Emery, when they appeared on his Nashville-based WSM radio program. Turn! (to Everything There Is a Season)", a Pete Seeger composition with lyrics adapted almost entirely from the biblical Book of Ecclesiastes. [1][24][29] Soon after, David Crosby introduced himself to the duo at The Troubadour and began harmonizing with them on some of their songs. [148] He further irritated his bandmates by performing with rival group Buffalo Springfield at Monterey, filling in for ex-member Neil Young. Shop for Vinyl, CDs and more from The Byrds at the Discogs Marketplace. Despite the dizzying array of personnel changes that the group underwent in later years, this lack of a dedicated lead singer would remain a stylistic trait of the Byrds' music throughout the majority of the band's existence. [213] However, it was also felt that the band had a sufficient backlog of new compositions to warrant the recording of a new studio album. The Flying Burrito Brothers Anthology 19691972, Gram Parsons Archives Vol.1: Live at the Avalon Ballroom 1969, https://en.wikipedia.org/w/index.php?title=The_Byrds&oldid=1142819750, Psychedelic rock music groups from California, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 4 March 2023, at 15:06. [103][104], "Eight Miles High" is marked by McGuinn's groundbreaking lead guitar playing, which saw the guitarist attempting to emulate the free form jazz saxophone playing of John Coltrane, and in particular, Coltrane's playing on the song "India" from his Impressions album. April 19, 2012, New York, New York), Rick Danko (b. December 29, 1942, Simcoe, Ontario, Canadad. [218] The song was issued as a single in the U.S. on October 23, 1970, but it only managed to climb to number 121 on the Billboard chart. Turn! A further distinctive aspect of the Byrds' image was their unsmiling air of detachment, both on stage and in front of the camera. [167] Following the concert, just prior to a tour of South Africa, Parsons quit the Byrds on the grounds that he did not want to perform in a racially segregated country (apartheid did not end in South Africa until 1994). [260] McGuinn had actually attempted to trademark the Byrds name himself during the 1970s, in order to prevent its misuse, but his application had been turned down. [248] The reunion actually took place in early October 1972, beginning with a rehearsal at McGuinn's house, where the group began selecting suitable material for a new album. [67] Despite the success of "Mr. Tambourine Man", the Byrds were reluctant to release another Dylan-penned single, feeling that it was too formulaic, but Columbia Records were insistent, believing that another Dylan cover would result in an instant hit for the group. . [230] However, the album failed to sell in sufficient quantities to reach the UK charts. [233] An equivalent compilation wasn't released in the U.S. until November 1972, when The Best of The Byrds: Greatest Hits, Volume II was issued. [256], After the tour wound down in late 1985, Clark returned to his solo career, leaving Michael Clarke to soldier on with a band that was now billed as "A Tribute to the Byrds" (although again, it was often shortened to the Byrds by promoters). like the Byrds' Fifth Dimension.some members of the band had audibly still barely learned to play but they were already feeling the heat from the Beatles and Dylan, moving past the sound of their 1st 2 highly successful albums the previous year. [1] In 1991, the Byrds were inducted into the Rock and Roll Hall of Fame, an occasion that saw the five original members performing together for the last time. [218][220], The Byrds returned to the recording studio with Melcher sporadically between October 1970 and early March 1971, in order to complete the follow-up to (Untitled), which would be released in June 1971 as Byrdmaniax. [208] Battin's recruitment marked the last personnel change to the group for almost three years and as a result, the McGuinn-White-Parsons-Battin line-up became the most stable and longest-lived of any configuration of the Byrds. The Byrds Members 1 David Crosby (1941-2023) 2 Clarence White (1944-1973) 3 Gram Parsons (1946-1973) 4 Chris Hillman, 78 5 Roger McGuinn, 80 6 Gene Clark (1944-1991) 7 Michael Clarke (1946-1993) The Byrds Popularity Band #1300 Band Formed in 1964 #9 The Byrds Fans Also Viewed Rolling Stones Pink Floyd The Who More Rock Bands More Bands something was happening there! Flashback: Original Byrds Lineup Reunites at the Rock and Roll Hall of Fame This 1991 performance of "Mr. Tambourine Man" is the last time the classic lineup of the Byrds performed together By. [1][5][262][271][272] Musician and author Peter Lavezzoli described the Byrds in 2007 as "one of the few bands to exert a decisive influence on the Beatles", while also noting that they helped to persuade Bob Dylan to begin recording with electric instrumentation. An excerpt from the song "Old John Robertson", highlighting the Byrds' extensive use of, An excerpt from "Kathleen's Song", highlighting the prominent, Ersatz Byrds and further reunions (19891991; 2000). [166], With their new album now completed, the Byrds flew to England for an appearance at a charity concert at the Royal Albert Hall on July 7, 1968. [186] The sessions saw the band juxtaposing their new country rock sound with more psychedelic-oriented material, giving the resulting album a stylistic split personality that was alluded to in its title. [241] Following a shambolic, underrehearsed performance at the Capitol Theatre in Passaic, New Jersey, on February 24, 1973, McGuinn cancelled the band's remaining concert commitments and disbanded the touring version of the Byrds, in order to make way for a reunion of the original five-piece line-up of the band. Explore releases from The Byrds at Discogs. [214] At around this same time, former business manager Eddie Tickner also returned to the group's employ as a replacement for Larry Spector, who had quit the management business and relocated to Big Sur. David Crosby talking in 1980 about the day Roger McGuinn and Chris Hillman fired him from the Byrds[147], Tensions within the band finally erupted in August 1967, during recording sessions for The Notorious Byrd Brothers album, when Michael Clarke quit the sessions over disputes with his bandmates and his dissatisfaction with the material that the songwriting members of the band were providing. First Gene went around with a very, very bad band, calling it the Byrds. [182] In a fit of rage, Hillman threw down his bass in disgust and walked out of the group. And though the two most talented latter-day band members Gram Parsons and Clarence White-met untimely deaths, the five original Byrds share a distinction rare among pan theon rock groups: they're all still alive. [207] The rest of the band had begun to doubt his commitment and so, a consensus was reached among the other three members that York should be fired. [160] As a result, the album peaked at number 77 on the U.S. charts and was the least commercially successful Byrds' album to date upon its initial release. Me and Jeff Foskett, and 3 other friends have put. [130] The adoption of a new name was common among followers of the religion[131] and served to signify a spiritual rebirth for the participant. [84] In addition, music critic William Ruhlmann has written that the song's lyrical message of peace and tolerance struck a nerve with the American record buying public as the Vietnam War continued to escalate. [227] For his part, Melcher later stated that he felt that the band's performances in the studio during the making of Byrdmaniax were lackluster and he therefore employed the orchestration in order to cover up the album's musical shortcomings. Turn! [107] The relatively modest chart success of "Eight Miles High" (number 14 in the U.S. and number 24 in the UK) has been largely attributed to the broadcasting ban, although the challenging and slightly uncommercial nature of the track is another possible reason for its failure to reach the Top 10. [156][157] Although Parsons and Kelley were both considered full members of the Byrds, they actually received a salary from McGuinn and Hillman, and did not sign with Columbia Records when the Byrds' recording contract was renewed on February 29, 1968. [6][7][8][9] As the 1960s progressed, the band was influential in originating psychedelic rock and raga rock, with their song "Eight Miles High" and the albums Fifth Dimension (1966), Younger Than Yesterday (1967), and The Notorious Byrd Brothers (1968). [132] Crosby, who had closely overseen the recording of the song,[133][134] was bitterly disappointed by the single's lack of success and blamed Gary Usher's mixing of the song as a factor in its commercial failure. [239] Discussions regarding a reunion between Roger McGuinn, Gene Clark, David Crosby, Chris Hillman, and Michael Clarke had taken place as early as July 1971, around the same time as the then current line-up of the band were recording the Farther Along album. [16] The Byrds' final album was released in March 1973, with the reunited group disbanding later that year.[17]. [14] In an attempt to cash in on the British Invasion craze that was dominating the American charts at the time, the band's name was changed for the single release to the suitably British-sounding the Beefeaters. [71][72][73] In particular, McGuinn's distinctive rectangular spectacles would go on to become popular among members of the burgeoning hippie counterculture in the United States. members of the Byrds, David Crosby, Roger McGuinn, and Chris Hillman, with. The version of Petty's 1989 hit "I Won't Back Down" also features former Guns N Roses drummer Matt Sorum. [208] Plans for the musical had fallen through and as a result, McGuinn decided to record some of the material originally intended for the production with the Byrds. [87] Like their debut, the album comprised a mixture of group originals, folk songs, and Bob Dylan covers, all characterized by the group's clear harmonies and McGuinn's distinctive guitar sound. It has led him to focus on creating his own music instead of just playing others. [164] When McGuinn refused, Parsons next began to push for a higher salary, while also demanding that the group be billed as "Gram Parsons and the Byrds" on their forthcoming album. [53][54] McGuinn's melodic, jangling 12-string Rickenbacker guitar playingwhich was heavily compressed to produce an extremely bright and sustained tonewas immediately influential and has remained so to the present day. [241] Hillman agreed to play both concerts for the sum of $2,000 and also brought in Manassas percussionist Joe Lala to fill the vacant spot behind the drum kit. [154] During the 1980s, he fought against crippling drug addiction and eventually served a year in prison on drug-related charges. [155] There is some disagreement among biographers and band historians as to whether Clark actually participated in the recording sessions for The Notorious Byrd Brothers, but there is evidence to suggest that he sang backing vocals on the songs "Goin' Back" and "Space Odyssey". A cause of death was not given. [264] Performing under the banner of The Byrds Celebration, the tribute group toured extensively throughout the remainder of the 1990s, although Parsons was replaced by session drummer Vince Barranco in 1995 and Battin was forced to retire due to ill-health in 1997. Our instruments were buried. [265] Crosby and Hillman were booked to appear at the event separately, but McGuinn, who was not listed on the bill, made a surprise appearance and joined his two former partners on stage. [50][56] Additionally, Richie Unterberger has stated that the song's abstract lyrics took rock and pop songwriting to new heights; never before had such intellectual and literary wordplay been combined with rock instrumentation by a popular music group. [16][245], Five months later, guitarist Clarence White was killed by a drunk driver in the early hours of July 15, 1973,[246] while he loaded guitar equipment into the back of a van after a concert appearance in Palmdale, California. [98] The title track, "5D (Fifth Dimension)", was released as a single ahead of the album and was, like "Eight Miles High" before it, banned by a number of U.S. radio stations for supposedly featuring lyrics that advocated drug use. Turn!". You can dance to that! [23] Impressed by the blend of their voices, the three musicians formed a trio and named themselves the Jet Set, a moniker inspired by McGuinn's love of aeronautics.[23]. [229], The Byrds moved quickly to record a self-produced follow-up to Byrdmaniax, in an attempt to stem the criticism that the album was receiving in the music press and as a reaction to their own dislike of Melcher's overproduction. He loves all sorts of rock musicians, from The Beatles to Guns N Roses and Dirty Honey. May 26, 1940, Elaine, Arkansas, U.S.d. [184] However, the album fared much better in the UK, where it attracted glowing reviews and reached number 15. McGuinn, Crosby, and Hillman remain active. There was a genuine concern that we would get sued if we kept Gram's vocals on it. [43] Two weeks later, during a Thanksgiving dinner at Tickner's house, the Jet Set decided to rename themselves as "The Byrds", a moniker that retained the theme of flight and also echoed the deliberate misspelling of the Beatles. being released, Dickson and the Byrds approached Columbia Records and requested that Melcher be replaced, despite the fact that he had successfully steered the band through the recording of two number 1 singles and two hit albums. [256][258], In June 1988, McGuinn, Crosby and Hillman appeared at a concert celebrating the reopening of the Ash Grove folk club in Los Angeles. [269] Though not billed as the Byrds, the duo, together with backing band Marty Stuart and his Fabulous Superlatives, played some earlier Byrds' material before performing all of the songs from the album and telling stories about its creation. The Byrds' founding members Roger McGuinn and Chris Hillman are touring this summer to mark the 50th anniversary of their watershed 1968 country-rock album "Sweetheart of the Rodeo." The Byrds (/brdz/) were an American rock band formed in Los Angeles, California, in 1964. But when it gets to be Michael Clarke the drummer -- who never wrote anything or sang anything going out there with an even worse band, and claiming to be the Byrds and they can't play the stuff. Country-rock pioneer Chris Hillman is an original member of the Byrds, Flying Burrito Brothers and Desert Rose Band. Turn! [184][185] In October 1968, the new line-up entered Columbia Studios in Hollywood to begin recording the Dr. Byrds & Mr. Hyde album with producer Bob Johnston. 1. [204] Despite this lack of commercial success, the Doobie Brothers' later hit version of "Jesus Is Just Alright" features an arrangement that was heavily influenced by the Byrds' recording. The Byrds ( / brdz /) were an American rock band formed in Los Angeles, California, in 1964. [69] The reverse was true in the UK, however, where the Byrds' version reached number four, while Cher's peaked at number nine. [187][188] In the wake of the recent changes in band personnel, McGuinn decided that it would be too confusing for fans of the group to hear the unfamiliar voices of White, Parsons and York coming forward at this stage, and so they were relegated to backing vocals on the album. [92][93], While the Byrds outwardly seemed to be riding the crest of a wave during the latter half of 1965, the recording sessions for their second album had not been without tension. [111] In effect, Clark's exit from the plane represented his exit from the Byrds, with McGuinn telling him, "If you can't fly, you can't be a Byrd. Score: 4.3/5 (31 votes) . [249] The five original Byrds booked into Wally Heider's Studio 3 in Hollywood from October 16 until November 15, 1972, recording their first album together in seven years. [7] The Byrds' cover of "Turn! [36], In August 1964, Dickson managed to acquire an acetate disc of the then-unreleased Bob Dylan song "Mr. Tambourine Man", which he felt would make an effective cover for the Jet Set. Popular Quizzes Today. [235] Musically, the album found the Byrds beginning to move away from their country rock soundalthough at least half the album still bore a strong country influenceand instead, embrace a style indebted to 1950s rock 'n' roll music. Original Members of The Byrds The band experienced some drastic line-up changes throughout the span of their music career. [64][65][66] Upon release, the Mr. Tambourine Man album, like the single of the same name, was influential in popularizing folk rock[8] and served to establish the band as an internationally successful rock act, representing the first effective American challenge to the dominance of the Beatles and the British Invasion. Share. [205], Just prior to the release of Ballad of Easy Rider, the Byrds underwent yet another change in personnel when bassist John York was asked to leave the band in September 1969. [37], Soon after, inspired by the Beatles' film A Hard Day's Night, the band decided to equip themselves with similar instruments to the Fab Four: a Rickenbacker twelve-string guitar for McGuinn, a Ludwig drum kit for Clarke, and a Gretsch Tennessean guitar for Clark (although Crosby commandeered it soon after, resulting in Clark switching to tambourine). Turn!, was released in December 1965[85] and while it received a mostly positive reception, critical consensus deemed it to be inferior to the band's debut. [24] All three musicians had a background rooted in folk music, with each one having worked as a folk singer on the acoustic coffeehouse circuit during the early 1960s. [223][225][226] Drummer Gene Parsons recalled in a 1997 interview that when the band heard Melcher's additions they campaigned to have the album remixed and the orchestration removed, but Columbia Records refused, citing budget restrictions, and so the record was duly pressed up and released. [264], McGuinn, Crosby and Hillman all returned to their individual solo careers following the Rock and Roll Hall of Fame ceremony. [27] Michael Clarke also found success following the Byrds reunion as the drummer for soft rock group Firefall,[21] while Gene Clark returned to his solo career, producing the critically acclaimed but commercially unsuccessful albums No Other (1974) and Two Sides to Every Story (1977). [258] Gene Clark returned to the group following the release of his and Carla Olson's So Rebellious a Lover album, and the tribute band continued to work on and off in 1987 and 1988. [124] "So You Want to Be a Rock 'n' Roll Star" was issued as a single in January 1967 and peaked at number 29 in America but failed to chart in the UK. Gene grew up in Kansas City, Missouri, and learned how to play guitar and harmonica at a young age. Turn! [18][19] Gene Clark died of a heart attack later that year, while Michael Clarke died of liver failure in 1993. [235] Rogan has concluded that, ultimately, the rapidity with which the Byrds planned and recorded Farther Along resulted in an album that was just as flawed as Byrdmaniax and as a result, it failed to rehabilitate the band's ailing commercial fortunes or increase their declining audience. McGuinn and I started picking together in The Troubadour bar which was called "The Folk Den" at the time We went into the lobby and started picking on the stairway where the echo was good and David came walking up and just started singing away with us doing the harmony part We hadn't even approached him. Mackey's bandmates took to Instagram Thursday to share the news. [1] The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn (known as Jim McGuinn until mid-1967) remaining the sole consistent member. March 8, 1946, Scottsbluff, Nebraska), Jim Messina (b. December 5, 1947, Maywood, California), and Rusty Young (b. February 23, 1946, Long Beach, California). [132] The Byrds' biographer Johnny Rogan has described "Lady Friend" as "a work of great maturity" and "the loudest, fastest and rockiest Byrds' single to date". [154] In the years after his exit from the Byrds, Crosby enjoyed an influential and commercially successful career as a part of Crosby, Stills & Nash (sometimes augmented by Neil Young), Crosby & Nash, CPR, and as a solo artist. Crosby introduced McGuinn and Clark to his associate Jim Dickson, who had access to World Pacific Studios, where he had been recording demos of Crosby. The cover was done to help support Miraculous Love Kids. [181][215], The two-record (Untitled) album was released by the Byrds on September 14, 1970, to positive reviews and strong sales, with many critics and fans regarding the album as a return to form for the band. [248] In keeping with the new spirit of reconciliation that the reunion fostered, McGuinn permanently disbanded the Columbia lineup of the group in February 1973. [3][76], This 1965 English tour was largely orchestrated by the group's publicist Derek Taylor, in an attempt to capitalize on the number 1 chart success of the "Mr. Tambourine Man" single. [114] Much of the album's material continued to build on the band's new psychedelic sound, with McGuinn extending his exploration of jazz and raga styles on tracks such as "I See You" and the Crosby-penned "What's Happening?!?!". [103][107][108], In February 1966, just prior to the release of "Eight Miles High", Gene Clark left the band. [115][116] The album's front cover artwork featured the first appearance of the Byrds' colorful, psychedelic mosaic logo, variations of which would subsequently appear on a number of the band's compilation albums, as well as on their 1967 release, Younger Than Yesterday. [60][63] Band biographer Bud Scoppa has remarked that with the album's lackluster chart performance, its lukewarm critical reception, and the high-profile loss of Clark from the group, the Byrds' popularity began to wane at this point and by late 1966, the group had been all but forgotten by the mainstream pop audience. [1] Their members included Jim McGuinn (who later changed his name to Roger), David Crosby, Gene Clark, Chris Hillman and Michael Clarke. [206] York had become disenchanted with his role in the Byrds and had voiced his reluctance to perform material that had been written and recorded by the group before he had joined. [195], Prior to the release of the Byrds' next studio album, however, the band's former producer Gary Usher managed to acquire a number of demo recordings from Dickson, dating from the group's 1964 rehearsal sessions at World Pacific Studios. [273], In his book The Great Rock Discography, music researcher Martin C. Strong describes the Byrds' cover of "Mr. Tambourine Man" as "a timeless slice of hypnotic, bittersweet pop" and a record that "did nothing less than change the course of pop/rock history". Turn! [147] Crosby subsequently received a cash settlement, with which he bought a sailboat[147] and soon after, he began working with Stephen Stills and Graham Nash in the successful supergroup Crosby, Stills & Nash. [103][105], Upon release, "Eight Miles High" was banned by many U.S. radio stations, following allegations made by the broadcasting trade journal the Gavin Report, that its lyrics advocated recreational drug use. "[262], In spite of McGuinn's comments, he and Hillman undertook a series of concerts together in 2018 to celebrate the 50th anniversary of the Byrds' Sweetheart of the Rodeo album. [141][142][143] The album featured contributions from a number of noted session musicians, including bluegrass guitarist and future Byrd, Clarence White. Gene Clark recalling the encounter at the Troubadour folk club in Los Angeles that marked the genesis of the Byrds[23], The nucleus of the Byrds formed in early 1964, when Jim McGuinn, Gene Clark, and David Crosby came together as a trio. [176], However, the stylistic shift away from psychedelia towards country rock that Sweetheart of the Rodeo represented served to alienate much of the Byrds' counterculture following,[177] while at the same time, eliciting hostility from the ultra-conservative Nashville country music establishment. [1], While the band waited for "Mr. Tambourine Man" to be released, they began a residency at Ciro's Le Disc nightclub on the Sunset Strip in Hollywood. [160] While in Nashville, the Byrds also appeared at the Grand Ole Opry on March 15, 1968, where they performed the Merle Haggard song "Sing Me Back Home" and Parsons' own "Hickory Wind" (although they were actually scheduled to play a second Haggard song, "Life in Prison"). Turn! Now the surviving original ByrdsMcGuinn, Chris Hillman, and David Crosbyhave spun out their saga in a whopping, 396-page limited-edition photographic odyssey of an art book called The Byrds: 1964-1967, which includes their own, typically puckish, commentary. He was born as Harold Eugene Clark on November 17, 1944, in Tipton, Missouri. (to Everything There Is a Season)" was issued on October 1, 1965[36] and became the band's second U.S. number 1 single, as well as the title track for their second album. [255], In 1984, Gene Clark approached McGuinn, Crosby, and Hillman in an attempt to reform the Byrds in time for the 20th anniversary of the release of the "Mr. Tambourine Man" single in 1985. December 10, 1999, Marbletown, New York, U.S.), Richard Manuel (b. [98] The album also saw Hillman coming forward as the band's third vocalist, in order to fill the hole in the group's harmonies that Clark's departure had left. Consequently, the album includes musical contributions from all of the key players in the Byrds' convoluted history, including Gene Clark, David Crosby, Chris Hillman, Gram Parsons, Clarence White, and the group's only consistent member, Roger McGuinn . God, were they awful. David Crosby on the motivation behind the lawsuit against Michael Clarke[261], In retaliation against Clarke's trademark application, McGuinn, Crosby and Hillman submitted their own counter-claim to gain ownership of the band's name. [3] During this period of fraternization, the Beatles were vocal in their support of the Byrds, publicly acknowledging them as creative competitors and naming them as their favorite American group. [87][94], On December 22, 1965, the Byrds recorded a new, self-penned composition titled "Eight Miles High" at RCA Studios in Hollywood. 45: The Byrds", The Original Singles: 19651967, Volume 1, The Original Singles: 19671969, Volume 2, 20 Essential Tracks from the Byrds Box Set (1965-1990), Hot Burritos! [1] The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn (known as Jim McGuinn until mid-1967) remaining the sole consistent member. Later band members included Gram Parsons, Clarence White, and Gene Parsons . [162] Parsons and McGuinn would later write the pointedly sarcastic song "Drug Store Truck Drivin' Man" about Emery and their appearance on his show. Terry Melcher put the strings on while we were on the road, we came back and we didn't even recognize it as our own album. [184] York had previously been a member of the Sir Douglas Quintet and had also worked as a session musician with Johnny Rivers and the Mamas & the Papas. [132] The relationship between Dickson and the band had soured over recent months, and he and Tickner's business arrangement with the Byrds was officially dissolved on June 30, 1967. [23] Sensing the trio's potential, Dickson quickly took on management duties for the group, while his business partner, Eddie Tickner, became the group's accountant and financial manager. [120] Upon release, the album was almost universally praised by music critics but it was only moderately successful commercially, particularly in the United States where it peaked at number 47. [112][113], The Byrds' third album, Fifth Dimension, was released in July 1966. [260] As a result, Clarke gained full legal ownership of the name the Byrds. [265] According to contemporary press reports, the reunion was an unmitigated success, with the audience giving the band multiple standing ovations and shouting for more as they left the stage. [119], The band returned to the studio between November 28 and December 8, 1966, to record their fourth album, Younger Than Yesterday. However, Hillman and Crosby have both expressed an interest in working with McGuinn again on future Byrds projects, but the lead guitarist and head Byrd remains adamant that he is not interested in another full reunion. [12] As a result of this, McGuinn and Hillman replaced Parsons' lead vocals on the songs "You Don't Miss Your Water", "The Christian Life", and "One Hundred Years from Now" before the legal problems could be resolved.
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